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Browsing All Posts published on »December, 2013«

Quiet inspirations: an evening with Pepys & Matteis

December 26, 2013

26th December 2013. Inspired by wonderful days of candlelit conversation with friends, and a gift of Samuel Pepy’s Diary, I found myself playing Nicolao Matteis at the table this evening. Nicolao Matteis-Selected Preludes (Peter Sheppard Skaerved) Andrea Amati 1560 (bow by Antonino Arienti 2011)(workshop recording-at the desk!)

Facing Enlightenment (Photos)

December 24, 2013

Photos of ‘Facing Enlightenment’  British Museum 13 12 13 (Photos Courtesy of the British Museum) Peter Sheppard Skaerved, with Julian Perkins, Lucy Railton, David Gorton, Mihailo Trandafilovski, Diana Mathews

December 21, 2013

December 21, 2013

December 21, 2013

December 21, 2013

Schubert & the Violin

December 21, 2013

Over the next few weeks, I will be announcing details of ‘Schubert & the Violin’. This will be a long-term project of performances, recordings, research and writing looking at Schubert through his long term involvement with the violin.  In the past, I have done a lot of work (recording and performing) the early ‘concertante’ works […]

Mihailo Trandafilovski-Duos 1 & 2

December 19, 2013

The last rehearsal of the year, a joyous morning playing Mihailo Trandafilovski’s 2 ‘Duos’ with Roderick Chadwick (we are recording them in a month). We first played No2 4 years ago, but had no documentation, so, in advance of the recording, here is the LO-FI sneak peak from the rehearsal-and, a picture, taken at the […]

Mihailo Trandafilovski-Arc-en-Ciel (First look/listen)

December 11, 2013

Mihailo Trandafilovski has just completed a piece which he describes as the kernel of much of his recent large-scale chamber and choral works- ‘Arc-en-Ciel’. This 4 minute piece is filled with the vertiginous rhapsody that characterises much of his work. We are premiering it together at the Enlightenment Gallery of the British Museum-at 630pm on […]

David Gorton/John Dowland-a collaboration

December 11, 2013

Composer David Gorton is moving towards a large-scale work for strings, rooted in the Lachrymae  of John Dowland. To begin the process, he has arranged this work, and Byrd and Randall’s take on it for strings. I have then made a ‘next step’ throwing Dowland and Gorton into the same space, collapsing material from David’s Caprices and […]


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